Spanish cinema brings us some truly
original ideas, although at the very edge of probability in real life.
Script about the young cop that is
forced to pretend to be a prisoner after a mutiny in a jail breaks out on his
first day at work is one of those flicks that starts really slowly and
unconvicingly, but manages to pick up the pace, develop some really interesting
subplots along the way, only to end in a brutal and unexpected way, bearing the
trademark of modern Spanish screenwriters.
Alberto Amann and Luis Tesar
are really good as leads, absorbing the fact that supporting cast somewhat
fails to impress (Marta Etura, Antonio Resines).
„Cell 211” deserves its chance despite
its clumsy beginning.
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